The end result finds elegance trumping excitement. Gladwell took off with a blast by publishing this one. But while it all sounds impeccably polished, it lacks the sort of killer hook that used to consistently elevate them above their mid-80s peers. The Tipping Point by Malcolm Gladwell How Little Things Can Make a Big Difference The Tipping Point book is where the party got started. And there are plenty of moments to savour here: My Demons throbs in a manner that’s improbably reminiscent of Goldfrapp circa Supernature, thanks to new collaborator Sacha Skarbek’s synths the title track unflinchingly recalls Orzabal’s bereavement the uptempo End of Night is as uplifting as songs about the Mistral are likely to get. So The Tipping Point’s very existence is a triumph of sorts.Īll that time spent working on these songs is apparent: the arrangements are unfailingly lush, the musicianship beyond criticism. In 2000 Gladwell released his first book, The Tipping Point: How Little Things Can Make a Big Difference, which contends that social epidemics result from a. Meanwhile the band’s former management were discouraging them from making a record at all (as detailed in the lyrics of the sarcastic Master Plan). Its gestation has been far from smooth: Orzabal’s first wife died in 2017 and he suffered a bout of ill health immediately afterwards. E ighteen years after its predecessor, and five years after Roland Orzabal first announced it, the seventh Tears for Fears album (and the second with Curt Smith back on board) is finally upon us.
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